Hanasaka Jiisan Japanese Reading Series (Japanese Edition)
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The Ministry of the Navy commissioned this film to celebrate the successful attack on Pearl Harbor and actually uses real footage from the attack. The actual attack is not shown for very long; two thirds of the film sympathetically shows Japanese soldiers getting ready for battle and returning home. The naval unit consists of the human Momotaro and several animal species representing the Far Eastern races fighting together for a common goal of being free from western imperialist ideas and influence. The force in this animation attacks the demons at the island of Onigashima, which is a mythical island that represented the Americans and British who were demonized and disliked in Japan.
This anime clearly distinguishes the racial divide by depicting the American characters as incompetent and Neanderthal like. In this sequel Momotaro and friends reflect Disney like animals jumping around happy and free while they are building airfields, loading troops into planes, and seize a city similar to Singapore from the British.
The opening sequence shows four young animals a bear cub, a monkey, a puppy and a pheasant in sailor dress uniforms skipping along a country road into a hide out forest, where they meet their friends and patrons. They have just completed their training and are saying their goodbyes before boarding the ship. There is an emotional scene that plays into the nationalistic theme of Japan during this time. Even though the young characters are going to miss their families they are fighting for the ideals and honor of their country.
There is a happy and cheerful send-off party for the young soldiers. The monkey's little brother plays with his sailor's cap, which is blown into a fast flowing river. The young boy falls in while trying to retrieve it, and is rescued by all the animal children acting cooperatively just before he is swept over a waterfall. This scene alludes to the cooperation of the different eastern countries and the efforts that will be taken to watch out for one another against the forces of the West.
Jumping scenes, there are childlike animals with industrial construction techniques, building watchtowers, barracks and airfields in the jungle setting. The viewer can see how the cheerful animals are lined up in ranks of a military formation.
The story is framed by flashbacks, which consist of a father bird calling a baby bird back home, which indicates the nurturing spirit of Japan and the second flashback is a historical retrospective of the period of European colonization. This is captured through silhouettes of ships, maps, and bombardments. During this second flashback, we see the correlation of European dominance throughout Asia, reminding the viewers of the unsatisfying time that was spent under European rule.
These propaganda techniques were also used to show the industrial as well as technological advancements the west had over Japan at that time. This gave the Japanese the idea that they needed to catch up in the world of technology and raise their standards to those of the west especially in the military segment. Using these flashbacks, Mituyo had the ability to make a point without loosing the story line of the complete film.
Genius in technique he was able to grasp the situation in the west to glorify the ambitions of the Imperialist Japanese Army and Navy. This scene perpetuates Japans urge for freedom of colonized societies of western powers. This scene also reiterates the means to justify Japans fast growth and conquering of Asian neighbors throughout China.
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At the end of the film there is a sequence of great adventure. The little animal troops board a plane with parachutes and rice, take-off to cheers, singing songs in the sky. They then pass through the obstacles of a dramatically visualized storm and parachute landings under fire. This type of film definitely gives the young children of Japan the idea that they are stronger and much more militant then the British and their foes.
This film also depicts the joyous nature of being in the Imperial Navy, through the laughing and singing by the animal like characters. With the British being the only other human characters besides Momotaro we see the film showing the youth having the ability to overthrow a superior figured authority. Propaganda With Japan over exhausting itself from the War in they were forced to surrender in accordance to the Potsdam Declaration.
During this time there was the most casualties on Asian soil in the 20th century with approximately 25 million. War propaganda was exclusively provided to engulf the national psyche of Japan to focus them on the Imperialism of the country and the rise of the modern industrialized nation. Sources of Japanese Tradition, McLaren, p.
Columbia University Press April 15, High, Univ of Wisconsin Press Urashima Taro? War and Military. Ugrade to Premium Membership to feature this review at the top of your content and also on listings across the site. The essay is from a young girl's perspective as she views the destruction.
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Insert Cancel. Cannot annotate a non-flat selection. Make sure your selection starts and ends within the same node. Essay by: MindofMarques. More Details. Submitted: January 07, Icomment enabled. Icomment on. Add Your Comments:. Sign in to write a comment. Become a Premium Member. More War and Military Essays.
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Version History Here you can find the changelog of Hanasaka Jiisan since it was posted on our website on The latest version is 1. See below the changes in each version:. Continue to Hanasaka Jiisan.